International Symposium on Culture Heritage
The purpose of this symposium is to strengthen and preserve cultural heritage from the perspective of fine arts, performing arts, languages, Fashion Design, Multimedia Design, Interior Design, Product Design, and Visual Communication Design. Participants of this symposium are experts, researchers, professionals, academics, organizations, developers, and students who are interested in developing sustainable cultural heritage designs. Through this international symposium, participants can share their insights and knowledge about the preservation of cultural heritage, especially in the field of design. This symposium carries the concept of local wisdom which can be seen as a response to rationality, and local wisdom towards locality in universality. This event took the main theme "The Power of Cultural Arts in the Post-Pandemic Era", with the aim of involving the participation of interested parties in the development of design cultural heritage, specifically in the post-pandemic era.
CULTURAL AND ECOLOGOCAL RELATIONSHIP THROUGH BIOPHILIC CONCEPT IN INTERIOR DESIGN
Human are basically social beings, they need social interaction has become the basis for humans themselves in order to be able to overflow the feelings that exist in humans. So it has become a primary need for a place to socialize and gather for all of us. However, the pandemic caused a lot of changes that occurred in human life, causing an increase in the number of stresses that occurred in Indonesia due to the limited interaction caused by the pandemic that occurred. The change in habits after the pandemic makes human need a space that can provide a positive relationship between humans and the surrounding nature so that incoming humans feel calm and comfortable. So that they can improve their quality of life. The concept of biophilics is a concept that can build positive relationships between humans, culture and ecology in a design. This is very appropriate to be used in residential space that will be lived by humans at this time a residential house is often used by humans to seek a tranquility to improve the welfare of living beings in terms of physical and mental. And through biophilic concepts, we as a human can restore a lifestyle that is free to connect with nature naturally.
Copyright (c) 2022 International Symposium on Culture Heritage
IMPLEMENTATION OF CULTURAL ACCULTURATION IN MAKE UP ROOM DESIGN AT PURO MANGKUNEGARAN SURAKARTA
Puro Mangkunegaran as the residence of the king in Surakarta, Central Java, is full of historical and cultural values. Physically, the interior of Puro Mangkunegaran, especially in the princess dressing room, is equipped with furniture in accordance with ornate activities that are designed using ornaments that have certain cultural and philosophical meanings to maintain a balance between social ethics, cultural ethics, and personal ethics with acculturation styles of Eastern and Western culture. Western culture that influences furniture design, blends with eastern culture which is still strongly maintained. To understand the functions, meanings, and symbols in this study, the researcher used a qualitative method. The results of the design implementation show that the behavior and manners of Javanese culture which contain religious, philosophical, and cultural meanings with cultural procedures in customary rules affect the design of the furniture used.
ANALYSIS OF SYMBOLS IN CAMPAIGN “THE BEAUTY FROM SABANG TO MERAUKE”
The beauty of women who are very diverse is not limited to physical beauty, but there are many points of view that can be seen; therefore, women are the main target audience in the campaign. The trend of women's beauty is generally much influenced by the socio-cultural background of a society. As in the work of designer Nadya Noor who collaborated with Base, a beauty product company, by creating an illustration applied to campaign for clothing about beauty standardization, this work was inspired by the unique shapes of the big islands in Indonesia, as well as the diversity of women in Indonesia who very diverse. The research method using qualitative methods is to analyze the illustrations on clothes with the delivery of messages in the design. Through this work, the researcher examines the visual elements of fashion illustrations in campaigns with the messages conveyed through visuals in campaigns related to illustrations, colors, layouts, with data collection techniques through library research, documentation and interviews. The illustration can be symbols for Indonesian representation from all races in Indonesia.
ADAPTIVE REUSE IN INTERIOR OFFICE PAGUYUBAN PASUNDAN BUILDING
This study aims to describe changes in the function of space in the Paguyuban Pasundan building related to the old and new functions of the building in the context of adaptive reuse. The city of Bandung has the most cultural heritage buildings with more than 1700 buildings, including class A, B and C. The research method used in this research is descriptive method with qualitative data, with a case study of the Paguyuban Pasundan managements’s office Building, which is located on Jl. Sumatra no. 41, Bandung City. Data were collected through observation and literature study from several related studies. The results of this study found that to implement this adaptive reuse, the Paguyuban Pasundan organization only added a few spaces at the back of the building that used to function as a terrace, now, it is a staff room. This organization also seeks to strengthen the historical and cultural values of this building, through the addition of decorative elements in it, and a traditional Sundanese Gamelan music area.
FORMS OF HOUSE UNIT DESIGN IN THE FISHERMAN FIBER BOAT IN CILACAP
The form of housing units planned by fishermen is solely for convenience in increasing marine catches. The housing unit is made as a support unit for outrigger fiber boats. Although the comfort aspect is not really needed, at least fishermen are protected from weather disturbances, in this case a form with a security function is the main basis. The form of the housing unit is made simply by using the traditional materials available and placed on the structure of the boat. The difference in the design of each shipyard in the design produced by the fishermen's group is the main issue that will be revealed. The use of form function theory from Victor Papanek will examine the design of housing units produced by shipyards in Lengkong Village or produced by Cilacap local fisherman. The study of needs aspects, usability aspects, method aspects, aesthetic aspects, associative aspects, and consequences aspects, will guide the form of housing units for outrigger fiber boats designed by shipyards and fishing communities in this area.
APPRECIATING CERGAM THE INDONESIA’S COMICS AS MEDIUM OF HISTORICAL EVENT THROUGH FICTIONAL STORYTELLING
This article discusses some trending style in later Indonesian comic book publication, which provides a nostalgic nuance through its illustration by using only black and white drawing technique. The story itself is fiction, yet it brings back the sense of a historical event on the past. For the sake of discussion on Indonesia comics, so called Cerita Gambar (cergam), on how the picture stories of Indonesian comics restored a sense of nostalgia colored by the background of historical event as we can read in the two titles that are being studied here in this article, titled Katumbiri Regenboog (2022) authored and illustrated by Yaya Riyadin, and Karimata 1890 (2019) authored and illustrated by Toni Masdiono. This study argued that the art from the point of view of formal, artistic and aesthetic appreciation on historical background which is nuanced the fictional story of cheerful images by those two cergamis can be a form of reservation of the past brought back to the current popular medium such as Cergam, the Indonesian comics. The carefully chosen of printed media and illustration techniques carried by both illustrators enliven the artistic and cultural value to fictional stories with a historical nuance. This made suggestion if a comic is inspired or based upon a historical event, even if the story is fiction, yet it can instill memories of those historical events itself. With such eloquence of the visual language of comics drawing, it is achievable to make it preserved the historical moment that still anchored to its objective realities however fictional it was made.
RECREATING TRANSMEDIA STORYTELLING FOR CULTURAL HERITAGE
It is essential to acquire knowledge through an experience that does not exhibit any boundaries or limitations about the topics of learning, as this type of learning is essential. To learn in a manner audience that does not exhibit any boundaries or limitations about the topics of learning. The form of learning also comes from feature movies. Audience in today's world comes from a diverse range of family situations, and many educators are now faced with the reality that their pupils are armed with a wealth of knowledge that has been primarily accumulated via the use of digital media, social media, and audio visual. Using qualitative and content analysis, this article examines movie and documentary that filming location in Yogyakarta. The content to gain new information and experiences, the pace at which revisions to the approach of teaching are implemented is orders of magnitude slower. It is without a doubt one of the areas of lesson planning that presents the most difficulty for teachers, and it is highly likely that this is the most significant hole in the subject that our audience gets. On the one hand, integrating corporate storytelling and Cultural heritage could cause tension between the making of meaning through movies. These debates are challenging the way that we think about teaching Cultural heritage using transmedia storytelling. On the other hand, between Cultural heritage facts as entertainment, it is possible to present the subject matter in a variety of forms of media that are already well known to the audience.
SEMIOTICS ANALYSIS OF PHOTO PROJECT “LAND OF THE SEA”
“Land of the Sea” is a long-term project by young Indonesian female photographer Irene Barlian. The message from this photo project is the threat of sea level rising caused by climate change. The meanings and thoughts embedded in the photography produce different levels of cognition represented by the image mental experience. Photography is one of the mediums developing an image mental experience from photography exhibition. With photography as the medium, photographers can uniquely convey various messages, signs, and meanings. The creative experience process has generate through the idea of delivering a message through the medium. Semiotics, the study of signs, explore how images can construct a perception of simulative experience. Through the immersive simulation process, an interpretation is carried out as a stimulus for an aesthetic expression and a simulation of reality. How do the interrelations between photography enhance the signs process and lead to cognitive stimulation? How can the interaction of sign simulations produce a simulative representation? What is the relationship between the power of authority and the image contained in the image? The difference in the level of cognition is no longer singular but become difference signification following audience's background, perception, and use of meaningful signs. Semiotic dialogism explores visual literacies on the sign code embedded in the medium of photography to reflect various expressions and interpretations, which can convey the dynamic, immersive picture or sequences to the formations of meanings. The semiotics analysis describes and studies how a person receives messages obtained through complex intersections between the human mind and immersive experiences based on Saussure’s semiotics theory. The author expected to study the signification process of the photo project Land of the Sea as a medium for visual cognition and how the photograph can signal, stimulate, and convey climate crisis message.
THE CULINARY BACKGROUND OF MALAY HERITAGE FOOD IN MALAYSIA THE INFLUENCE IN FOOD RECIPES
Heritage food is one of the valuable assets that need to be preserved and passed down from generation to generation. In addition to being inherited, this food can also be commercialized and popularized to the tourists. Therefore, the knowledge of how heritage food is formed in terms of history, recipes, methods, tips and others need to be understood and practiced so that this heritage becomes immortal. One of the main foods in Malaysia is Malay food which is famous for its variety of choices in terms of color, taste, and texture. Basically, the food canvas of Malay heritage in Malaysia is influenced by various cultures including Arab, Indian, Chinese, Siamese, Javanese, Bugis, Minangkabau, and others. The influence of this culture can be seen in terms of cooking equipment, cooking methods, and the choice of ingredients such as herbs and spices. Moreover, the surrounding natural resources are used by the local people to develop various recipes. This natural resource is then planted around the dwelling for culinary purposes and it becomes a part of the landscape. Therefore, this paper will discuss the background of Malay heritage food that focuses on the formation of Malay heritage food recipes. This study uses a qualitative research method by referring to several literature references that are selected and related to the purpose of the study. The reported findings are expected to contribute to the study of Malay heritage food culture in Malaysia.
ASTA AS AESTHETIC OBJECT IN THE ART PHOTOGRAPHY
Asta is part of the subject of communication tools for the Deaf that present a Soul in Artwork. "Asta" which means "Hand" in Javanese Krama because of the Aesthetics and Taste of the Javanese Soul. The purpose of creating Asta's photography has indicators to make moving messages into static images, discovering new concepts in Sign photography for the deaf, and discovering the characteristics and values contained in photographic works of art. This creation method is based on a literature study related to Asta and is limited to references related to the creation of this artwork to find the essence and form of symbols that can be the basis for the creation of Asta's Photographic Works. Experimental results of the medium use lighting characteristics of puppetry, multiple exposure techniques and Rolland Barthes Analysis Method which is used as an analysis of the description of the work. The benefits of this work of art have the potential to express messages in sign language so that for the deaf, Asta's photographic works can provide enthusiasm, hope, and confidence so that they are able to express moral values in their work.
GASTRONOMY IN FOLK SONGS AS A SOCIAL SYMBOL OF MALAY COMMUNITY LIFE
The Malay community is well-known for the numerous rhythms and songs passed down from generation to generation. This can be seen through the lens of Rahmah Bujang (1999), who defines a folk song as a Malay community song that originates from a specific area in the Malay world. The text of folk songs is loaded with elements of advice, reprimands, and also aspects of food culture found in the Malay community, as a result of the study of several types of folk songs that have been studied. This cultural element has long covered culture in the Malay community's daily life and is still practiced today. This can highlight the Malay community's identity at the same time. Furthermore, this study aims to identify and analyze gastronomy in folk songs. Textual and thematic analysis is also used to strengthen this study. The reader's attempt to see the relationship between song lyrics, the author and the reader through social, political, economic, linguistic, and artistic aspects as a result of reflection on the reading of a literary text is referred to as the theory. This also examines the factors that influence individual development and their role in shaping community behavior.
STUDY OF THE VISUAL CHARACTERISTICS OF FABRICS IN THE DEVELOPMENT OF GARUDA INDONESIA AIRLINES FLIGHT ATTENDANT UNIFORM DESIGN APPLICATION
Garuda Indonesia, as the longest-serving airline in Indonesia, has gone through changes in maintaining its image to support Indonesian tourism. The service of the flight attendants who are always ready to serve Garuda Indonesia airline passengers is one of the main keys. The flight attendants who are active in the cabin with their distinctive uniforms are the main attraction in maintaining the airline's image. It is hoped that the research has the purpose and benefit of explaining the changes in the characteristics of the fabric used in the design of this airline's flight attendant uniform to contribute to maintaining the image of a particular airline or company. Given time constraints, this study uses a qualitative method with observations and literature through a cultural history approach, which is diachronically focused from 1949 to 2020, while synchronously focused on visual characteristics of the fabric through the visual elements of Garuda Indonesia flight attendant uniform. Analysis of the visual characteristics of the fabric in the uniform elements of Garuda Indonesia flight attendants can be seen from the use of plain fabrics made of thick and also Indonesian wastra fabrics. The use of fabric is also inseparable from the comfort in the design of flight attendants in carrying out activities in the aircraft cabin. In the context of research, it shows that the development of Garuda Indonesia flight attendant uniform has clothing elements that utilize the Wastra Nusantara fabric as a promotional medium in enhancing and maintaining the airline's image with distinctive Indonesian visual characteristics.
EXPLORING THE DEAF CULTURE EXPERIENCE IN INTERIOR ARCHITECTURE
Understanding the deaf culture experience of public space accessibility facilities is very important for space designing. Deafness is one of the invisible disabilities, but deaf people can replace their hearing senses with their eyes (visual) as a hearing tool to interact with the interlocutor or read the environment. The accessibility of the deaf room is often neglected by the community, and even the space requirement is relatively lower than that of non-deaf people. The existence of an inclusive architectural system is one of the applications of the concept of deaf space, which can assist them to have the opportunity to participate in quality activities together with non-deaf people. The concept of deaf space is to adapt the architecture to deaf culture to space. Apart from visuals, socially, most people consider deaf culture to be a linguistic minority group using sign language. This paper aims to analyze how the deaf's experience of space can be a reference for designers in interior architecture designing, and is carried out through exploration and study of related literature. The results of the exploration show that the concept of deaf space can be generated through several processing of interior elements including corridors between spaces, proximity, furniture, lighting, colors, materials, and acoustics. All of them contribute and complement each other in forming a complex space. The deaf cultural experience of space depends on the understanding of interior physical conditions of the deaf perception. The concept of deaf space can have an emotional impact on the experience for whoever deaf people are in the room.
THE WANGKANG CEREMONY: A UNIQUE TRADITION OF HOKKIEN COMMUNITY IN MELAKA
This paper will discuss about the history of the origin and the functions of the Wangkang ceremony which practiced by the Hokkien community in Malacca. This paper will introduce the origins of the Hokkien community’s in Malacca. In addition, this paper will emphasize the functions of the Wangkang ceremony which practiced by the Hokkien community in Malacca. The functions will be elaborated based on the community’s practices and beliefs as heirs to their culture and practices. Based on the research, this ceremony is believed to have been practiced in Malacca since 1856. The Hokkien community believes that the purpose of the ceremony is to collect and sending away the evil spirits to another world. Based on their beliefs, the spirit was responsible for the existence of chaotic conditions, disease outbreaks and instability of the world. Thus, the community believes that the implementation of the Wangkang ceremony can restore prosperity and peace to the world. Qualitative method using history approach is used to obtain and analyze the data collected. The three approaches are the field observations of Wangkang ceremony, interviews with authoritative individuals among the Hokkien especially Baba Nyonya community and also in-depth study of records and reports as well as the earlier writings related to the Wangkang tradition. The discovery of these three approaches is analyzed and synthesized to answer the research questions. The results show that the Wangkang ceremony is not just an ordinary ceremony, but was a unique tradition that demonstrate the world view of the Hokkien community on the concept of the death. This paper will focus on the history of the origin of the Hokkiens and the functions of the implementation of the Wangkang ceremony in the community.
INTERACTIVE STORYTELLING OF FOLKLORE THROUGH DIGITAL GAME
Folklore is traditional and unofficial which is part of national culture. Folklore is part of the collective culture that is spread that is passed down from generation to generation traditionally in different versions. Folktales such as fairy tales, legends and myths are used by the people as educational media that teach about everyday life in order to instil values and norms that exist in society to children while preserving the existence of culture in society. In this digital age. Conveying the importance of fairy tales as a medium to preserve the cultural existence of the audience must follow the interests and the phenomena of the existing media so that they are relevant and not contradictory so that they are more easily accepted by the audience. The medium that is currently closest to the audience is the Game. Games are interactive media so they can convey messages effectively because they can touch the emotional side of the audience.
AESTHETIC SYMBOL OF KAWUNG MOTIF AS AN ICON OF IDENTITY IMAGE OF NEW AIRPORT IN YOGYAKARTA
The existence of the airport as a gateway to national tourism whereas a public space must be able to convey a sense of place and provide individual experiences to space users, therefore the airport must also be able to function as a means that represents the identity of the cultural image of the local area. Aesthetic Elements The symbol of the kawung motif through visual language in airport public spaces does not only function aesthetically but has a deep new meaning as an icon of the identity of the image of the New Airport in Yogyakarta. The purpose of this study is to identify the transformation of the shape of the kawung motif and its application to the interior building elements of New Yogyakarta International Airport (NYIA) The transformation of the shape of the kawung motif symbol contains physiological and cosmological values in an architectural interior work and is a unity of form that cannot be separated and always follows the development of the times related to the modernity process of socio-cultural transformation that occurs in society. This research was conducted using a qualitative method with a cultural studies approach and the ATUMICS transforming tradition theory was used to examine how the application of the kawung motif symbol was applied to the design of the Architecture and Interior of the New Airport in Yogyakarta. The results showed that the transformation of the kawung motif symbol form that was applied to produce an icon of the identity of the cultural image of the past was able to transform new in the present without changing the essence of meaning as a symbol of immanence, its presence not only produced an expression of beauty, but communicated messages containing the cultural acculturation of the locality of the Javanese cultural community and the form of cultural symbols of the present Yogyakarta palace to interact with each other in the public space of the new airport in Yogyakarta.
PRE-WEDDING PHOTO SESSIONS USING TRADITIONAL JAVANESE STYLE WITH A MODERN TOUCH
Photography serves as a medium to capture important moments in life. One of the derivative branches that arise from this function is pre-wedding photography. It is a photo shoot activity carried out before the wedding takes place and the photos will be displayed at the wedding reception. The objective of this study was to determine the main forming factors in holding a pre-wedding photo session with traditional Javanese style and modern touch and to gain additional insight for photographers in pre-wedding photography. In this study, the researcher applied an observation method with interviews and a literature study. Results indicated that several forming factors in the presentation of pre-wedding photos are careful concept planning, choosing a pre-wedding style that suits the bride and groom, paying attention to supporting aspects of the photo shoot, and doing post-production (editing) effectively and maximally.
BEYOND ANIMISM AND MYSTICISM: A STUDY ON SYMBOLS AND FUNCTIONS OF WOOD SCULPTURE IN PRESENT SOCIETY AMONG THE INDIGENOUS COMMUNITY AT KG. KUALA TERBOL, KUALA KRAU, TEMERLOH PAHANG, MALAYSIA
This research studies the symbols and functions of Jah Hut wood sculptures in Kg. Kuala Terbol, Temerloh, Pahang. The research presents the challenge of lacking scientific documentation on the symbol and functions of wood sculptures in present society. Additionally, globalisation has indirectly impacted the continuity of the indigenous heritage practices, thus highlighting the significance of this study. This research sets the objective to study the history, symbolism, and the use of these wood carving statues by the Jah Hut tribe in present society. This method also uses an ethnographic approach where the researcher conducts interviews and field observations using probability sampling through snowball sampling. Consequently, data will be analysed using thematic analysis. The finding shows that although the wood sculpture was previously used as part of the ritual, healing and animistic practices, in present society, it serves aesthetic and economic functions.
PHYSICAL IDENTIFICATION OF LISUNG : ATTEMPTS TO INTERPRET WOMEN'S LEGACIES IN KASEPUHAN CIPTAGELAR
The purpose of this research article is to identify lisung based on object dimensions. The research is in the field of art and design, so the physical aspect as the dimension content of the object serves as the foundation for the identification process. Lisung is a relic from the past. However, research is necessary because it concerns the characteristics and heritage of cultural treasures in the archipelago. The Kasepuhan Ciptagelar indigenous people are one of the Sundanese traditional groups that incorporate ancestral values into their modern lives. They have a strong belief in the rice entity. This has implications for maintaining farming customs and the use of non-mechanized rice processing tools. Lisung is an agricultural tool that they use to pound rice into rice in order to meet their daily food requirements. Physical identification is linked to how they perceive, comprehend, and respond to their surroundings. Physical identification should be done based on the residents of Kampung Gede Ciptagelar's experience. As a result, the ethnographic tracking method was used in the research. According to the research findings, lisung cannot be replaced by any tools for the indigenous society of Kasepuhan Ciptagelar. Based on the dimensions of the object, it was discovered that lisung is a story about the idealism of Sundanese women, women who have the inner attitude of a wife who serves her partner and family. Keywords: lisung, Sundanese women, Kasepuhan Ciptagelar, and physycal identification
INTERIOR DESIGN PLANNING OF BOGOR REGIONAL PUBLIC LIBRARY IN THE TIME OF COVID'19 PANDEMIC
The Bogor Regency Public Library is a library located in Cibinong, Bogor Regency. In the current covid'19 pandemic, the public library has problems with its interior design related to the operation of its services, and the lack of library facilities and interest of the community in reading are factors that make the library is deserted. In the design process, the author uses a qualitative descriptive method of observing the problems that exist in the library. Then a programming analysis is carried out to achieve a design that can solve the existing problems. The theme of interior design during the current pandemic is Fun Reading With Region Local Design. This theme is proposed with expectation in increasing public attention to always visit the library by paying attention to the Health protocol that is applied, this is expected to increase the interest of visitors to read. The design during the Covid-19 pandemic for libraries must adjust the guidelines from the Government in order to help prevent the spread of Covid-19. The ultimate goal of designing the Bogor Regency Public Library is to be able to develop knowledge about library interior design and be published in Accredited National Journals or International Journals.
ANALYZING THE QUALITY OF PHOTOS USING THE MACRO-PHOTOGRAPHY TECHNIQUE WITH CYLINDRICAL GLASS
Photography has grown rapidly. Currently, photography enthusiasts have penetrated various circles of society. One of the streams in photography is nature photography. This kind of photography has respective approaches. One of them is applying macro photography, in which the object of the photo is a small animal or plant, such as an insect. Macro photography requires special equipment, namely macro lenses that are used by professional photographers. However, the equipment is quite expensive which becomes a barrier for novice photographers. This study aims to use an alternative technique by utilizing cylindrical glass to produce macro photos with the same detail and sharpness as those generated from a macro lens. In this study, the researchers employed an experimental method, in which the research objects were macro photos using cylindrical glass. In this study, the researchers conducted photo shoot experiments with cylindrical glass on plant objects. Results indicated that the cylindrical glass produces photo sharpness that can rival that of a macro lens quite accurately.
UNDERSTANDING INDONESIAN ANIMATED FILM CHARACTERS THROUGH BELIEVABILITY THEORY
This article aims to understand the believability of the characters in the Indonesian animated film entitled Roh Garuda Go. Descriptive research method is used to get an overview of the creation of the main characters in the film Roh Garuda Go. The first part of this study involves making observations about Indonesian animated movies and the protagonist of Roh Garuda Go. A literature review on animated movies and plausibility, as well as observations of the characters' behavior in the chosen sequences, were done to examine the characters in the movie. Visualization of characters in animated films will simultaneously be accompanied by the hope of forming visuality in the audience. The main characters of this film are designed to represent the Indonesian nation's motto Bhinneka Tunggal Ika. The concept of visualization refers to the five symbols of the Pancasila precepts. By applying the principles of readability and clarity to movie sequences, the interpretation of visuality is achieved. The result is a finding of understanding between the creation of the character and the audience's response to the animated film character Roh Garuda Go. The conclusions obtained are in the form of input to animated film makers regarding the considerations taken for the creation of fictional characters, especially the animated film Roh Garuda Go.
Physical Character of PolyLactic Acid Material
Exploration is known as one method that can be used to get new results. With exploration, object research could have various options in its applications, Material US something elements that can produce something form Becomes real. Could presenting something object not only in the form of imagination courses. With the presence of material in making something objects, then by no direct can also produce scrap materials. Because in something the processes and used materials are generated because of existing advantages or the remainder of the materials used. Polylactic Acid is a material applied to the production of the nature of things diverse. The diversity that, can give influence the amount of the object produced, so in development, the problem that exists is that there is a PolyLactic material that is the remainder results of the production process. The waste material is faced with the problem of material being reused. Due to PolyLactic material, Residual acid production has the opportunity to be reused as material for an object. PolyLactic material exploration Acid is used for knowing new opportunities from the existing use of the material as materials that can be used by maximum. With the use method study qualitative description, hope study could give results as guidelines in something method use of PolyLactic materials Acid with produce forms and characteristics that can be maximized for its application to an object. Based on the expertise of research partners, resulting in conformity with the research carried out because of the partner's experience in using PolyLactic materials Acid in producing objects can be an added value because it can help identify PolyLactic materials Acid maximally.
IDENTIFICATION OF CULTURE RECOGNITION IN WEIRD GENIUS – LATHI MUSIC CLIP VIDEOS USING ROLAND BARTHES SEMIOTICS APPROACH
The video clip of the EDM Weird Genius music group entitled Lathi was successful in introducing and introducing these songs both in Indonesia and internationally. This music video clip invites the public to experience the traditional and modern side of Indonesian culture. Behind this success, of course, the question is, what signs are in the music video so that it represents Indonesian cultural identity. Departing from the problem above, the researcher uses a qualitative research method with the semiotic approach of Roland Barthes to examine the signs and meanings of the success of the music video. The purpose of this study is to analyze how traditional and modern cultural identities are displayed in Lathi music video clips and to clarify between signifier, signified, denotative and connotative meanings to find out what cultural identity is contained in each scene. The output target in this research is Sinta 4 accredited national scientific publications.
EXPRESSION OF MASTERLY AESTHETIC VALUE IN BALINESE SARAD ORNAMENTS
Bali is known for its various beautiful decorative motifs. The variety of ornaments, decorations engraved on wooden statues, carved on stone, on silver and on a series of coconut leaves, as well as to the basic material for flour for cakes is also a touch of Balinese artists. Therefore, to express a work of art is not limited by the basic material. We will discuss the expression of aesthetic value in Sarad's artwork, which is made from cake flour as a basic medium. Sarad is an important part of the form of sacred offerings to the Balinese Hindu community. Sarad's beauty can be seen from the very striking colors, themes, various shapes and arranged into very large sizes reaching 3-7meters. The making of Sarad's artwork is usually done by a group of women from a banjar and is led by a banten artisan. Undagi are usually led by a Pedanda, an expert who masters everything how to form ornaments, color compositions to assemble them into a story theme. The series of Sarad ornaments also have symbolic values that are important to be expressed and known by the younger generation. The purpose of this research is to find out the creative process of the banten undagi in providing aesthetic values to Sarad and to provide education, literacy to the public about the importance of understanding the aesthetic value of Sarad's artwork as Balinese cultural heritage. This study uses a qualitative descriptive method that can objectively explain an event in the form of data by presenting it in the form of photo documentation then analyzing and interpreting it. The results of the study reveal 3 relationships between the Creator Subject or known masterly, Objects and Values so that it is revealed that Sarad's aesthetic value elevates the expression of the universe/Bhuwana. As a undagi, understanding the microcosm and macrocosm is the most important essence that must be expressed in the form of sacred symbols and various color compositions and stories, such as the story of Gods, plants, and animal figures.
INTRODUCTION TO TARI TOPENG THROUGH CHILDREN’S STORY BOOK TO PRESERVE BETAWI CULTURE
Betawi Mask Dance is one of the many arts in Indonesia that should be preserved. Betawi Mask Dance is a traditional dance that is spread in DKI Jakarta and its surroundings. This art has been a part of people's lives since the first time it began to fade because of the times. Therefore the book about Betawi Mask Dance which is presented by making a picture book is a good step to attract the attention of children to read. And is expected to be able to raise awareness of local art because photography is a trend in society lately. The qualitative analysis method used is the 5W + 1H analysis method, identification of objectives, followed by data collection consisting of data collection using questionnaires, documentation, interviews, and observations. It is expected that the existence of a book about Betawi mask dance art as a media for introducing Betawi mask dance art to the general public as well as formulating a number of cultural strategies undertaken to maintain traditional art and can make an insight into the history, figures, characters, characteristics, functions and forms of art. Betawi mask dance in the hope of raising concern for the preservation of Betawi mask dance art in Indonesia.
INTEGRATION OF NATURE AND SCIENCE IN THE MAKING OF JEBAK PUYUH IN KELANTAN
The Malay community is known for its genius in making their cultural tools which are neither only fine but also have a high degree of resilience and can last decades or even centuries. The renowned Jebak Puyuh handicraft from Kelantan is part of the heritage of the Malay community. This Quail trap has a high aesthetic value due to its beautiful woven design and motifs. However, due to modernization pressures, the production of Jebak Puyuh in Malaysia is on the verge of extinction. Thus, this writing aims to elaborate on the integration of natural and scientific elements in the manufacture of Jebak Puyuh by focusing on the manufacture of Jebak Puyuh in Tumpat, Kelantan. Interviews with the makers and owners of the Jebak Puyuh collection were conducted to collect data on the natural and scientific elements used in the production of Jebak Puyuh. Thematic analysis is used to analyse interview data. As a result, Jebak Puyuh's clearly demonstrates the Malay community's wisdom in combining natural and scientific elements, allowing this handicraft product to last for many years. The scientific elements found in the production of Puyuh Jebak can be seen in the making techniques, and materials. While the beauty of the ornaments and weave found in the body of Jebak Puyuh can be seen as elements of nature. According to this study, Jebak Puyuh is one of the Malay community's wisdom in manufacturing its cultural tools. As a result, this study concludes that the heritage of Jebak Puyuh should be defended as one of the symbols of Malay heritage identity. Furthermore, in accordance with the National Cultural Policy, this handicraft must be restored and preserved so that the Malay community's wisdom can be carried on to the next generation.
VIRTUAL REALITY REDUCE THE POLLUTION IN TAMAN MENTENG PARK IN JAKARTA
Society in general already knows global warming or the greenhouse effect is caused by polluted air due to motorized fumes. The presence of city parks, urban forests is considered sufficient reduce this pollution. In several scientific articles, it is stated that microalgae have the ability to absorb carbon dioxide is more optimal than trees in urban forests. On the other hand, Virtual Reality (VR) are the one of the entertaining learning media. How to educate the public and visitors to be more aware of the importance of maintaining good water in ponds, rivers, and beaches not polluted. The method by way of counseling, training, and mentoring the use of VR media to the city community who visited Menteng Park. Community Service involves students of the Faculty of Fine Arts and Design, Trisakti University to be able to do internships in the creative industry PT. Vastu Prajna Vatayana. So this program is one part of Merdeka activities Learning and Independent Campus (MBKM). The results show a positive response towards making This media is a medium that can be commercialized with Jakpro as a BUMD owned DKI Jakarta Government. Children who are visiting Menteng Park understand the content, entertained, and recorded for what has been educated. VR media become interactive media in creative and interesting learning.
ASSYMETRICAL AMALGAMATION: IMBALANCED PORTRAYAL OF VISHNU AND SHIVA’S DIVINE ATTRIBUTES ON HARIHARA HEADGEARS DURING MAJAPAHIT ERA (13th – 15th CENTURY) IN JAVA
Harihara statue is a unique object in the study of Classical Era in Java, mainly because it portrays Vishnu and Siva in one body. During Late Classical era in Indonesia (11th to 15th century AD), several depictions of Harihara were found in statues of kings and deities. A major thing that can be recognized from Harihara statue is the headgear. According to Silpasastra Manasara as canon in the visual portrayal of gods, since it represented the unity of two gods, Harihara statue is depicted with half jatamakuta and half kiritamakuta, each represents Vishnu and Siva. These portrayals are usually found in India and Cambodia. Nevertheless, in the Harihara statues found in East Java, while there are several variations of headgear, these characteristics are absent. This paper aims to highlight the issue, by focusing on the variations of the headgears and symbols attached to it, by using qualitative-descriptive method with iconographic approach. It is found that Harihara are portrayed with various crown attributed to Vishnu or Siva, while carrying the mixed symbols of the two gods. It is assumed related to the statue’s function as manifestation of Devaraja concept, that is to align the king’s image and characters with the image of the Gods. It also indicates the rise of Harihara sect during the era, that can be linked to the political purpose to unify the different beliefs and factions during that tumultuous period.
THE POWER OF CULTURAL ARTS IN THE POST-PANDEMIC ERA
The COVID-19 pandemic has negatively impacted the cultural and creative industries in the ASEAN region, leading to funding cuts and lack of support for artists and cultural workers. However, digital innovation has allowed for greater access to artistic and cultural content, leading to concerns about the homogenization of culture and impact on traditional business models. Education and literacy are crucial for the development and sustainability of arts and culture, as the region can leverage its good literacy levels to promote the sector. It is important to invest in the arts, not only for economic value, but also for their intrinsic value in promoting cultural diversity, social cohesion, and wellbeing. The industry must adapt to the changing landscape and address challenges while ensuring accessibility and addressing issues such as intellectual property rights and artistic authenticity