ESTETIKA DESAIN POSTER ALEKSANDR RODCHENKO BERDASARKAN KACAMATA TEORI EKSPRESI CROCE-COLLINGWOOD DAN FORMALISME BELL-FRY

Alfiansyah Zulkarnain, Jennifer Claudy

Abstract


A lot of contemporary analysis on Aleksandr Rodchenko’s design works is done through the critical lens of avant-garde and humanities. With the rise of effort to bring back relevance of traditional aesthetics as the point of view to look at art and design, there is a space to reread Rodchenko’s work. This paper will analyze the aesthetic of Rodchenko’s poster design titled “Books: The Advertisement Poster for the Lengiz Publishing House”. The analysis will be conducted through two different perspective: through the lens of Croce and Collingwood’s Expression Theory (or CC Theory), and the lens of Bell & Fry’s Formalism. The aim of this study is to determine whether aesthetical judgement could be given on constructivism poster design through both lens. The method of analysis is using qualitative research method based on literature study. The poster then will be investigated through each criteria of essence of art from each point of view. In the end, it could be concluded that the poster has significant aesthetic value from each point of view. 


Keywords


Propaganda Poster; Constructivism; Aesthetics; Expression Theory; Formalism

References


“Aleksandr Rodchenko: MoMA.” The Museum of Modern Art. Accessed December 12, 2020. https://www.moma.org/artists/4975.

“Art: Books!” Annenberg Learner, September 26, 2019. https://www.learner.org/series/art-through-time-a-global-view/conflict-and-resistance/books/.

Braembussche, Antoon V. (2009). Thinking Art. Translated by Michael Krassilovsky, Rutger H, Cornets de Groot, and Dick van Spronsen. Belgium: Springer.

“Communication and Self Expression through Art.” n.d. Study. https://study.com/academy/lesson/communication-self-expression-through-art.html#:~:text=Art%20is%20a%20means%20of,images%20to%20convey%20deeper%20truths.

Culture Matters. (2018). “Education, Literacy, and the Russian Revolution.” The Impact of Russian Revolution on Art and Culture, (January). https://issuu.com/culturematters/docs/cm_booklet_1917_articles_ebook_-_fi.

Editorial, Artsy, and Laura Hillegas. “The Constructivists Imagined a World Where Art Was Created in Factories.” Artsy, January 4, 2019. https://www.artsy.net/article/artsy-editorial-constructivism-brought-russian-revolution-art.

The Editors of Encyclopaedia Britannica. 2020. “Bolshevik.” Encyclopaedia of Britannica. https://www.britannica.com/topic/Bolshevik.

The Editors of Encyclopaedia Britannica. 2020. “Russian Revolution.” Encyclopaedia Britannica. https://www.britannica.com/event/Russian-Revolution.

“Five Graphic Design Ideas from the Russian Revolution: Blog: Royal Academy of Arts.” Blog | Royal Academy of Arts. Accessed December 13, 2020. https://www.royalacademy.org.uk/article/five-things-graphic-designers-owe-to-russia.

Graham, Gordon. Philosophy of the Arts. Staffnew.uny.ac.id. London: Routledge, 2005. http://staffnew.uny.ac.id/upload/132309870/pendidikan/philosophy-arts-3rd-ed.pdf.

“Photomontage in Russian Constructivist Posters.” ROSPHOTO RSS. Accessed December 13, 2020. https://rosphoto.org/events/photomontage-in-russian-constructivist-posters/.

Rogatchevskaia, Dr Katya. n.d. “Propaganda in the Russian Revolution.” British Library. https://www.bl.uk/russian-revolution/articles/propaganda-in-the-russian-revolution.

“Russian Constructivism - The True Vanguard Art Movement.” Widewalls. Accessed December 12, 2020. https://www.widewalls.ch/magazine/russian-constructivism.

Tate. “Formalism – Art Term.” Tate. Accessed December 12, 2020. https://www.tate.org.uk/art/art-terms/f/formalism.

Torrence, Katie. “A Graphic History: Rodchenko's Lady of Lit.” Anderson Creative, September 24, 2018. https://andersoncreative.works/a-graphic-history-rodchenkos-lady-of-lit/.

Willette, Jeanne. “Propaganda and Art After the Russian Revolution, Part Two.” Art History Unstuffed. Accessed December 12, 2020. https://arthistoryunstuffed.com/propaganda-and-art-after-the-russian-revolution-part-two/.




DOI: http://dx.doi.org/10.22441/narada.2021.v8.i1.001

Refbacks

  • There are currently no refbacks.


NARADA: Jurnal Desain & Seni

Fakultas Desain dan Seni Kreatif
Universitas Mercu Buana
Gedung E Lantai 4
Jl. Raya Meruya Selatan no.1, Kembangan, Jakarta 11650
Tlp./Fax: +62215871335

Journal International Standard Serial Number (ISSN) Registration:

 

The Journal is indexed by:

Tools for Citations & Plagiarism Detection:

 
 

Ciptaan disebarluaskan di bawah Lisensi Creative Commons Atribusi-NonKomersial 4.0 Internasional