KAJIAN SEMIOTIKA VISUAL PADA KARYA FOTOGRAFI “THE UNTOUCHABLES” ERIK RAVELO

Wening Hesti Nawa Ruci, Nanda Nini Anggalih

Abstract


Erik Ravelo is an artist who produces controversial, vulgar, and offensive photography works of various parties whose figures are 'as if' involved in his various works. In this study, Erik Ravelo's work as one of the visual communication design that can produce signs or messages analyzed through a semiotic approach to explore the meaning of each sign. Researcher uses a semiotic approach from Charles Pierce Sanders that focuses on the idea of triadic semiotics (three basic elements), namely representamen, interpretantts and objects. The results obtained in the form of three types of signs classified as icons, indexes, and symbols.


Keywords


Semiotika; Peirce; Fotografi

References


Budiman, K. (2011). Semiotika Visual: Konsep, Isu, dan Problem Ikonitas. Yogyakarta: Jalasutra.

Huda, M. M., et al. (2017). Analisis Semiotika Fotografi ‘Alkisah’ Karya Rio Motret (Rio Wibowo). Jurnal Represantemen, 3(1), 1-7. https://doi.org/10.30996/representamen.v3i01.1405

Iqbal, M. (2015). Kajian Semiotika Karya Fotografi Muhary Wahyu Nurba. [Thesis] yang tidak dipublikasikan. Makassar: Fakultas Seni dan Desain UNM.

Lotan, F. F., et al. (2017). Analisis Semiotika Penggunaan Estetika Foto Potret dalam Karya Seni Stensil Digie Sigit. Journal of Photography, Arts, and Media Specta. 1(1), 31-50. https://doi.org/10.24821/specta.v1i1

Patriansyah, M. (2014). Analisis Semiotika Charles Sanders Peirce Karya Patung Rajudin Berjudul Manyeso Diri. Ekspresi Seni: Jurnal Ilmu Pengetahuan dan Karya Seni, 16(2),239-252. http://dx.doi.org/10.26887/ekse.v16i2.76

Ravita, W. A. (2017). Visualisasi Karakter Zodiak Dalam Fotografi Potret. [Thesis] tidak dipublikasikan. Yogyakarta: ISI.

Soputan, V., et al. (2021). Analisis Semiotika Fotografi Human Interest Pada Pameran Foto Karya Mahasiswa Fispol Unsrat Di Jurusan Ilmu Komunikasi. Jurnal Acta Diurna Komunikasi, 3(3), 1-13.

Subandi. (2011). Deskripsi Kualitatif Sebagai Satu Metode Dalam Penelitian Pertunjukan. Jurnal Harmonia, 11(2), 173-179. https://doi.org/10.15294/harmonia.v11i2.2210




DOI: http://dx.doi.org/10.22441/10.22441/narada.2022.v9.i2.007

Refbacks

  • There are currently no refbacks.


NARADA: Jurnal Desain & Seni

Fakultas Desain dan Seni Kreatif
Universitas Mercu Buana
Gedung E Lantai 4
Jl. Raya Meruya Selatan no.1, Kembangan, Jakarta 11650
Tlp./Fax: +62215871335

Journal International Standard Serial Number (ISSN) Registration:

 

The Journal is indexed by:

Tools for Citations & Plagiarism Detection:

 
 

Ciptaan disebarluaskan di bawah Lisensi Creative Commons Atribusi-NonKomersial 4.0 Internasional