IDENTITAS KOTA BANDUNG PADA BATIK KOMAR BERDASARKAN TEORI KEVIN LYNCH

Nukke Sylvia, Denta Mandra Pradipta B

Abstract


Identity is a characteristic or to the repertoire of a place, which makes someone recall and wants to visit again where they are intended because it has differences with other places because it has character and uniqueness. Identity is a very important fundamental thing. This is because identity is something that is used to recognize, distinguish a place from another place Kevin Lynch, good city form (1984; 131). According to RI Minister of Home Affairs regulation No. 4 years old 1980, the City is a place that has administrative boundaries such as municipalities and administrative cities. The city also means an urban living environment that has non-agrarian characteristics, for example, the district capital, the capital of the sub-district which functions as the center of growth. One that has these characteristics is the city of Bandung, the city of Bandung is one place that has its own uniqueness and character, both in places of tourism, food, and other foods. One of the places visited by many local and foreign tourists in searching for souvenirs or souvenirs is Batik. One of the famous Batik venues in Bandung is Komar Batik, Batik Komar is one place that produces Batik with Bandung City motif. Therefore the author wants to examine the Bandung City motif made by Batik Komar with the theory of Kevin Linch so that the history of the Bandung Batik can be maintained. After producing the Bandung Batik analysis, it can be concluded that Batik Komar as a batik maker reflects the identity of Bandung City.  


Keywords


Identitas kota bandung; Batik Komar; kota Bandung

References


Achjadi. (1999). Judy : Batik Spirit Of Indonesia. Indonesia: Yayasan Batik Indonesia.

Anas. Biranul, Hasanudin, Pangabean. Ratna, Sunarya. Yanya: “Indonesia Indah”: Latar belakang kehidupan bangsa Indonesia Adat istiadat dan seni budaya. Yayasan Harapan Kita. ISBN no. 979-8735-07-2

Rosidi, A., dkk. (2000). Ensiklopedi Sunda. Jakarta: Pustaka Jaya.

Bodgan R&S. J Taylor : Kulitatif Dasar-Dasar Penelitian (Terjemahan Roni Sianturi ) Surabaya: Usaha Nasional, 1993.

Bambang As. Suroyo Irawati: “ISEN-ISEN”:The Passion of Tati Suroyo, Pt. Ciriajasa Rancang Bangun. ISBN 978-602-18443-0-4.

Budiman, K. (2005). Ikonisitas: Semiotika Sastra Dan Seni Visual. Yogyakarta: Buku Baik.

Judith N. Martin, Thomas K. Nakayama: “Intercultural Communication in Contexts”, McGraw Hill, 2009. p. 180-92. ISBN 978 - 0-07-338512-9.

James D. Fearon. "What is Identity (As We Know Use The Word)" (PDF). Diakses tanggal 7 Mei 2014.

Kudiya, Komarudin. Djatmiko, Djalu. Jusuf Herman. Rais, Zini., Ken Atik, Syaftiyaningsih: “Batik Pesisir Selatan Jawa Barat”, Yogyakarta,2014. ISBN:978-602-7949-18-8.

Kudiya, K. (2011). Batik, eksistensi untuk Tradisi. Yogyakarta: DianRakyat. ISBN:978-979-078-355-3.

Kusrianto, Adi. BATIK , filosofi, motif dan kegunaan. Yogyakarta :ANDI , 12013. ISBN :978-979-29-4062-6.

Larry A. Samovar, Richard E. Porter, Edwin McDaniel. (2009). Communication Between Cultures.

Lynch, K. (1960). The Image of The City. Cambridge: MIT Press.

Lynch, K. (1972). Good City Form. Cambridge: MIT Press.

Maleong, L.J. (1993). Metodologi Penelitian Kualitatif. Bandung: PT. Remaja Rosdakarya.

Rizali, N. (2014). Nafas Islami Dalam Batik Nusantara. Surakarta: UNS Press.

Nadia Nava, Il batik – Ulissedizioni-1991 ISBN 88-414-1016-7

PAD Jawa Barat : “Indonesia's Population”: Ethnicity and Religion in a Changing Political Landscape, Institute of Southeast Asian Studies, 2003.

Steinmann, A: THE ART OF BATIK, Ciba Review, #58, Juli 1947, pp.2090-2101.

Sobur, A. (2003). Semiotika Komunikasi. Bandung: Rosda.

Trijoto, Suprihatin, Mujiasih. (2010). MENGENALDAN MEMBUATMOTIF BATIK Menggali Sumber Inspirasi Pembuatan Motif Batik. Gama Media. ISBN: 978-979-1104-48-7.

Veldhuisen. Hermen C. (1993). BATIK BELANDA 1840 – 1940. Ducth influence in batik, Gaya Favorit Press.




DOI: http://dx.doi.org/10.22441/narada.2019.v6.i2.006

Refbacks

  • There are currently no refbacks.


NARADA: Jurnal Desain & Seni

Fakultas Desain dan Seni Kreatif
Universitas Mercu Buana
Gedung E Lantai 4
Jl. Raya Meruya Selatan no.1, Kembangan, Jakarta 11650
Tlp./Fax: +62215871335

Journal International Standard Serial Number (ISSN) Registration:

 

The Journal is indexed by:

Tools for Citations & Plagiarism Detection:

 
 

Ciptaan disebarluaskan di bawah Lisensi Creative Commons Atribusi-NonKomersial 4.0 Internasional